Satyajit Ray's super detective Feluda is going great guns.
Created in 1965, the Charminar cigarette-puffing private eye, whose real name is Prodosh Kumar Mitter, will now feature in an animated series.
This is another stint for Feluda, who has had a successful stint on the silver screen, besides being a novel and comic book hero.
Hyderabad-based production and distribution group DQE will produce an animated tele-movie and TV series based on the adventures of Feluda, who teams up with his cousin Topshe and friend Lalmohan Ganguli to capture devious culprits and solve puzzling mysteries.
According to DQE chairman and CEO Tapaas Chakravarti, "We have confirmed acquisition for Indian broadcasting in several languages from a leading global broadcaster, and this has been a huge affirmation that these stories will be received well by audiences."
The Kathmandu Caper is the first animated tele-movie being adapted and written for animation in London by famous children's writer, Charles Hodges.
The tele-film revolves around the kidnap of a stranger in the neighbourhood which leads Feluda, Topshe, his friend Jatayu and Bones, their wily dog, to Kathmandu.
Last year, publishers Penguin under its Puffin imprint brought out the exploits of Feluda in comic format.
The titles were A Bagful of Mystery, Beware in the Graveyard and Murder By the Sea.
The comic strips were scripted by Subhadra Sen Gupta with illustrations by Tapas Guha.
"These great stories deal with eternal themes – loyalty, greed and courage... all we did was make them visually contemporary, so that kids relate to them better. We have not touched the plots, they are all Ray's," says Subhadra.
According to her, beyond occasionally changing the location from inside to outside, no changes to the original scripts were made at all. "Ray being a filmmaker and artist wrote very visually, giving detailed descriptions and also taking the stories to all sorts of locations, and that made the stories ideal for a comic strip," she says.
"We grew up reading Feluda, and the miracle is that he is now a part of our lives, and he and the other characters feels very real to us."
In A Bagful of Mystery, Feluda's client Dinanath Lahiri has a strange problem. On a train from Delhi to Kolkata, someone has taken his bag and replaced it with an identical one. The action-packed search by Feluda and his sidekicks take them through the busy streets of Kolkata and Delhi and into the final dangerous climax on the snowy slopes of the Simla hills.
Showing posts with label India. Show all posts
Showing posts with label India. Show all posts
Sunday, January 17, 2010
Wednesday, December 30, 2009
The art of turning a film into a script
Nasreen Munni Kabir has emerged as an indefatigable chronicler of popular Hindi cinema. From her early breakthrough book on Guru Dutt to the Movie Mahal series which introduced Britain to Bollywood, Kabir has documented Hindi cinema's great personalities and movies.
She has also pioneered the documentation of the film script, which involves painstakingly noting down the dialogues of a film and translating them into English. She tried the experiment with Mughal-e-Azam and now she is back with the dialogue of Awaara which she calls 'Raj Kapoor's Immortal Classic'.
There is no denying Awaara's place in the Hindi film pantheon of greats, though the film can be a bit emotionally overwrought. For my money, Shri 420 is a more deeply satisfying film and is as good if not better in parts. But that is a moot debate. Awaara had a philosophical idea at its core: do genes decide a person's character or does upbringing matter, which formed the background to a love story between a rich girl and a petty thief.
All the usual ironies of Hindi cinema were present but the end result was not cliched and the credit for that goes to the then 27-year old Kapoor.
Awaara had terrific songs, stupendous acting, superb sets, breakthrough photography and most of all, bold and strong dialogues which held a deep resonance. Writer KA Abbas had imbued it with his leftist ideals, which gelled well with Kapoor's own sensibilities, and resonated with a young nation just out of the trauma of Partition. Yet questions do arise. Does the dialogue deserve a book of its own? Does the idea of printing these dialogues in four different ways -- in English, Hindi, Urdu and finally in Roman script but in Hindustani -- work?
In an industry not known for pre-scripting, any such effort can only be post-facto, i.e. taken off the film since so much is written right on the set. That shows because the cinematic instructions are few and far between and any commentary is the author's (Kabir) own comments drawn from her extensive knowledge and research. This is a strength and a weakness. In the end that really doesn't matter, because Kabir is an excellent guide and a veritable storehouse of information. The opening essay and the end notes have lovely trivia and also analyses of several scenes, including the famous dream sequence.
Awaara became a worldwide phenomenon, a cult film in Russia, Turkey and many other countries. Students and lovers of Hindi films, especially from the Golden Age, should read and imbibe from this book. It reminds us about an era when Hindi films had style, content and heart and were not simply a gigantic marketing exercise.
She has also pioneered the documentation of the film script, which involves painstakingly noting down the dialogues of a film and translating them into English. She tried the experiment with Mughal-e-Azam and now she is back with the dialogue of Awaara which she calls 'Raj Kapoor's Immortal Classic'.
There is no denying Awaara's place in the Hindi film pantheon of greats, though the film can be a bit emotionally overwrought. For my money, Shri 420 is a more deeply satisfying film and is as good if not better in parts. But that is a moot debate. Awaara had a philosophical idea at its core: do genes decide a person's character or does upbringing matter, which formed the background to a love story between a rich girl and a petty thief.
All the usual ironies of Hindi cinema were present but the end result was not cliched and the credit for that goes to the then 27-year old Kapoor.
Awaara had terrific songs, stupendous acting, superb sets, breakthrough photography and most of all, bold and strong dialogues which held a deep resonance. Writer KA Abbas had imbued it with his leftist ideals, which gelled well with Kapoor's own sensibilities, and resonated with a young nation just out of the trauma of Partition. Yet questions do arise. Does the dialogue deserve a book of its own? Does the idea of printing these dialogues in four different ways -- in English, Hindi, Urdu and finally in Roman script but in Hindustani -- work?
In an industry not known for pre-scripting, any such effort can only be post-facto, i.e. taken off the film since so much is written right on the set. That shows because the cinematic instructions are few and far between and any commentary is the author's (Kabir) own comments drawn from her extensive knowledge and research. This is a strength and a weakness. In the end that really doesn't matter, because Kabir is an excellent guide and a veritable storehouse of information. The opening essay and the end notes have lovely trivia and also analyses of several scenes, including the famous dream sequence.
Awaara became a worldwide phenomenon, a cult film in Russia, Turkey and many other countries. Students and lovers of Hindi films, especially from the Golden Age, should read and imbibe from this book. It reminds us about an era when Hindi films had style, content and heart and were not simply a gigantic marketing exercise.
3 Idiots is cinema at its best
Title: 3 Idiots (U/A)
Director: Rajkumar Hirani
Cast: Aamir Khan, R Madhavan, Sharman Joshi, Kareena Kapoor, Boman Irani, and others
Caution: The following review may strike you as gushy, overzealous, or exaggerated in praise. But films like these are made once in a while and, so, superlatives are in order.
Rajkumar Hirani is the best filmmaker Hindi cinema has produced in a long, long time. It's not that there aren't other mavericks, geniuses, and talented storytellers who give us some fabulous movies from time to time. But Hirani has, one film after the other, proved his mettle as a writer/director who does not believe in giving you entertainment the easy way -- he ensures that you take back home a few lessons about life, too.
Three Idiots has one of the most relevant issues of Indian society at its core, a heartwarming story woven around it and a narrative that takes you through the film effortlessly, leaving you happy, moved, and thoughtful in the end. Yes, the film has certain hard-to-digest moments -- like engineering students helping a woman to deliver a child in the campus with the help of some 'skills' -- but if the oft misused term 'cinematic liberty' has ever been put to apt use, it is here.
Ranchhoddas Chhanchad aka Rancho (Khan), Farhan Qureshi (Madhavan), and Raju Rastogi (Joshi) have got admission in ICE, the most prestigious engineering college in India. "You'll have to beat your competitor every step of the way if you want to be successful in life," dean Viru Sahastrabudhhe aka Virus (Irani) tells students on their first day in college.
While the others just follow orders, Rancho defies rules. He raises questions in class his teachers can't answer, refuses to complete assignments unless he really enjoys them, and infuriates the dean, who is a stickler for perfection. "You have the best college in the country, yet none of your students has ever invented anything of note," Rancho tells the dean straight-faced, enraging him further.
To make matters worse, he falls in love with the dean's daughter (Kapoor). The dean is out to make Rancho's life hell but is baffled how Rancho deceives him every time. The most laidback of all students, he surprises everyone by ending at the top of the class, year after year, confounding even his two friends. "We learnt an important lesson," says Farhan. "When your friend fails an examination, you feel bad. But when he tops it, you feel worse."
Rancho explains to his friends that the only reason he excels at everything he does is because he enjoys doing them. He coerces the two to follow their goals without worrying about the end result, and by the end of the four-year period, the two feel more confident of what they want to do in life than before they entered college and met Rancho. While the institute asked them to chase success, Rancho asked them to chase excellence, assuring them that success would follow.
But soon after teaching them life's most valuable lesson, Rancho disappears. Why does Rancho leave without telling anyone of his whereabouts? Where does he go?
The film starts with Farhan and Raju renewing their search for Rancho after five years, following a lead they get on his whereabouts from one of their closest competitors in college, Chatur. The movie then moves into flashback mode, returning to real time every now and then. Starting with the first scene, the screenplay moves in one fluid motion, interweaving scenes and sequences one after the other in brilliant, seamless fashion.
Writers Hirani and Abhijat Joshi (story, screenplay, and dialogues) and Vidhu Vinod Chopra (screenplay associate) have worked painstakingly on every sequence, each of which stands out for its brilliance. There are so many 'highlights' and scenes that impress you that pointing out a few would be unfair to the others. Three Idiots is, in every way, a complete film -- one that works in its entirety, be it storytelling, dialogues, acting, music, cinematography, art direction, editing, etc. At the helm of it all is the captain of the ship -- director Rajkumar Hirani.
Madhavan puts in a restrained performance and brings both the maturity and confusion that his character requires. Joshi is good. His character undergoes immense change in the film and the actor brings across those subtle differences beautifully. Kapoor, in a smaller role, does a good job. Irani's performance ranges from competent to caricaturish, but works with the mood of the film. Omi as Chatur aka Silencer gets ample screen space and performs well as the grades-hungry student everyone hates in class.
Shantanu Moitra's music blends into the film perfectly and the songs are extremely hummable. Hirani is impeccable with his editing and CK Muraleedharan's cinematography is easy on the eyes.
Aamir Khan and Rajikumar Hirani coming together was always going to be special. Three Idiots sure is. In fact, the film blends elements of Khan's Taare Zameen Par with Hirani's Munnabhai series, making a comment on the education system without going down the documentary route, but the film stands out on its own.
Even as you have come to accept Khan's genius at ensuring a good product for audiences every time, this one is a Rajkumar Hirani show all the way. And it becomes easy to say that because even if you take Khan out of the equation, the film would probably make a similar impact.
That is not to say having Khan doesn't help. The character of Rancho is the voice of the film, innocent yet intelligent, and the script demanded an actor of Khan's calibre to take across the film's message to audiences. As a younger man, Khan springs the kind of performance you associate him with. For the three hours that you are watching the film, Khan ceases to exist and Rancho takes over.
But the real hero of Three Idiots is the guy who gave us jaadu ki jhappi and Gandhigiri. Raju Hirani, you are the man! After all the terrible films and flops this year, you have ensured that in the end, Aall Izz Well.
Director: Rajkumar Hirani
Cast: Aamir Khan, R Madhavan, Sharman Joshi, Kareena Kapoor, Boman Irani, and others
Caution: The following review may strike you as gushy, overzealous, or exaggerated in praise. But films like these are made once in a while and, so, superlatives are in order.
Rajkumar Hirani is the best filmmaker Hindi cinema has produced in a long, long time. It's not that there aren't other mavericks, geniuses, and talented storytellers who give us some fabulous movies from time to time. But Hirani has, one film after the other, proved his mettle as a writer/director who does not believe in giving you entertainment the easy way -- he ensures that you take back home a few lessons about life, too.
Three Idiots has one of the most relevant issues of Indian society at its core, a heartwarming story woven around it and a narrative that takes you through the film effortlessly, leaving you happy, moved, and thoughtful in the end. Yes, the film has certain hard-to-digest moments -- like engineering students helping a woman to deliver a child in the campus with the help of some 'skills' -- but if the oft misused term 'cinematic liberty' has ever been put to apt use, it is here.
Ranchhoddas Chhanchad aka Rancho (Khan), Farhan Qureshi (Madhavan), and Raju Rastogi (Joshi) have got admission in ICE, the most prestigious engineering college in India. "You'll have to beat your competitor every step of the way if you want to be successful in life," dean Viru Sahastrabudhhe aka Virus (Irani) tells students on their first day in college.
While the others just follow orders, Rancho defies rules. He raises questions in class his teachers can't answer, refuses to complete assignments unless he really enjoys them, and infuriates the dean, who is a stickler for perfection. "You have the best college in the country, yet none of your students has ever invented anything of note," Rancho tells the dean straight-faced, enraging him further.
To make matters worse, he falls in love with the dean's daughter (Kapoor). The dean is out to make Rancho's life hell but is baffled how Rancho deceives him every time. The most laidback of all students, he surprises everyone by ending at the top of the class, year after year, confounding even his two friends. "We learnt an important lesson," says Farhan. "When your friend fails an examination, you feel bad. But when he tops it, you feel worse."
Rancho explains to his friends that the only reason he excels at everything he does is because he enjoys doing them. He coerces the two to follow their goals without worrying about the end result, and by the end of the four-year period, the two feel more confident of what they want to do in life than before they entered college and met Rancho. While the institute asked them to chase success, Rancho asked them to chase excellence, assuring them that success would follow.
But soon after teaching them life's most valuable lesson, Rancho disappears. Why does Rancho leave without telling anyone of his whereabouts? Where does he go?
The film starts with Farhan and Raju renewing their search for Rancho after five years, following a lead they get on his whereabouts from one of their closest competitors in college, Chatur. The movie then moves into flashback mode, returning to real time every now and then. Starting with the first scene, the screenplay moves in one fluid motion, interweaving scenes and sequences one after the other in brilliant, seamless fashion.
Writers Hirani and Abhijat Joshi (story, screenplay, and dialogues) and Vidhu Vinod Chopra (screenplay associate) have worked painstakingly on every sequence, each of which stands out for its brilliance. There are so many 'highlights' and scenes that impress you that pointing out a few would be unfair to the others. Three Idiots is, in every way, a complete film -- one that works in its entirety, be it storytelling, dialogues, acting, music, cinematography, art direction, editing, etc. At the helm of it all is the captain of the ship -- director Rajkumar Hirani.
Madhavan puts in a restrained performance and brings both the maturity and confusion that his character requires. Joshi is good. His character undergoes immense change in the film and the actor brings across those subtle differences beautifully. Kapoor, in a smaller role, does a good job. Irani's performance ranges from competent to caricaturish, but works with the mood of the film. Omi as Chatur aka Silencer gets ample screen space and performs well as the grades-hungry student everyone hates in class.
Shantanu Moitra's music blends into the film perfectly and the songs are extremely hummable. Hirani is impeccable with his editing and CK Muraleedharan's cinematography is easy on the eyes.
Aamir Khan and Rajikumar Hirani coming together was always going to be special. Three Idiots sure is. In fact, the film blends elements of Khan's Taare Zameen Par with Hirani's Munnabhai series, making a comment on the education system without going down the documentary route, but the film stands out on its own.
Even as you have come to accept Khan's genius at ensuring a good product for audiences every time, this one is a Rajkumar Hirani show all the way. And it becomes easy to say that because even if you take Khan out of the equation, the film would probably make a similar impact.
That is not to say having Khan doesn't help. The character of Rancho is the voice of the film, innocent yet intelligent, and the script demanded an actor of Khan's calibre to take across the film's message to audiences. As a younger man, Khan springs the kind of performance you associate him with. For the three hours that you are watching the film, Khan ceases to exist and Rancho takes over.
But the real hero of Three Idiots is the guy who gave us jaadu ki jhappi and Gandhigiri. Raju Hirani, you are the man! After all the terrible films and flops this year, you have ensured that in the end, Aall Izz Well.
My Name is Khan selected for Berlin Film Festival
In a major coup, Karan Johar's My Name is Khan has been selected in the Berlin International Film Festival. What's more, the film has been picked for the Official Selection of the festival, which takes place from February 11-21, 2010. Karan Johar is jubilant. "It will be my first time in Berlin, and I'm so excited," he says. "Of course, I'll be going with Shah Rukh Khan and Kajol! There's nothing as prestigious as presenting my film at the Berlin film festival's official selection. Even more than awards, it's getting eyeballs at such a festival that is important."
Not many Indian films have made it to the official selection in Berlin the last decade except for Farah Khan's blockbuster Om Shanti Om was - it was part of the Berlinale Special. My Name is Khan will play in the 'Out of Competition' section. Johar said that Fox (which is distributing the film), is comfortable with the 'Out of Competition' slot, as it fits into their international release dates.
My Name is Khan raises the bar for a Karan Johar film, with a love story layered with two key non-romantic issues: Shah Rukh Khan plays Rizvan Khan, a Muslim living in the US post-9/11, and he suffers from Asperger's syndrome, a form of autism.
"Regardless of the issues, I hope the film will find wide acceptance on the humanitarian aspect," Johar says. "Rizvan Khan makes very large points in the garb of simplicity and innocence. Only emotions connect, and they are universal, and I hope Rizvan Khan touches hearts everywhere. I try to raise the bar for Indian cinema with every film I make. I am young, I've got the infrastructure. Weekend box office numbers are no longer enough, I want to be acknowledged. My first concern will always be my domestic base. But within the parameters, we should try to reach a global audience by using our content, keeping the storytelling plausible, and syntax sensible."
As Hollywood major Fox Searchlight is distributing the film in the US, and Fox Star Studios in India, Johar had told the press, "This is the first time such a deal has been inked, where the film will release beyond the mainstream diaspora, and that is exciting."
As for Berlin, he adds, "I can't wait to be in Berlin, walk the red carpet, watch the film with the audience and interact with it afterwards!"
The Berlin film festival has already selected two more Indian films, Umesh Kulkarni's Vihir (The Well), produced by Amitabh Bachchan's AB Corp, and Laxmikant Shetgaonkar's Paltadacho Munis (Man Beyond the Bridge). Their selection is not yet closed.
Not many Indian films have made it to the official selection in Berlin the last decade except for Farah Khan's blockbuster Om Shanti Om was - it was part of the Berlinale Special. My Name is Khan will play in the 'Out of Competition' section. Johar said that Fox (which is distributing the film), is comfortable with the 'Out of Competition' slot, as it fits into their international release dates.
My Name is Khan raises the bar for a Karan Johar film, with a love story layered with two key non-romantic issues: Shah Rukh Khan plays Rizvan Khan, a Muslim living in the US post-9/11, and he suffers from Asperger's syndrome, a form of autism.
"Regardless of the issues, I hope the film will find wide acceptance on the humanitarian aspect," Johar says. "Rizvan Khan makes very large points in the garb of simplicity and innocence. Only emotions connect, and they are universal, and I hope Rizvan Khan touches hearts everywhere. I try to raise the bar for Indian cinema with every film I make. I am young, I've got the infrastructure. Weekend box office numbers are no longer enough, I want to be acknowledged. My first concern will always be my domestic base. But within the parameters, we should try to reach a global audience by using our content, keeping the storytelling plausible, and syntax sensible."
As Hollywood major Fox Searchlight is distributing the film in the US, and Fox Star Studios in India, Johar had told the press, "This is the first time such a deal has been inked, where the film will release beyond the mainstream diaspora, and that is exciting."
As for Berlin, he adds, "I can't wait to be in Berlin, walk the red carpet, watch the film with the audience and interact with it afterwards!"
The Berlin film festival has already selected two more Indian films, Umesh Kulkarni's Vihir (The Well), produced by Amitabh Bachchan's AB Corp, and Laxmikant Shetgaonkar's Paltadacho Munis (Man Beyond the Bridge). Their selection is not yet closed.
Thursday, December 17, 2009
Rahul, Katrina top in cyberworld in 2009: Google survey
The young ruled in the Indian cyberspace in 2009, with Rahul Gandhi emerging as the most popular politician and Bollywood star Katrina Kaif the most popular celebrity, according to a Google India survey.
The new survey--The Google 'Zeitgiest'(Spirit of the times) 2009--based on Google India search queries in a reflection of what Indians were searching throughout the year, found that tennis star Sania Mirza held the top position in popular sportspersons category for the third year in a row.
The Saif Ali Khan-Deepika Padukone starrer 'Love Aaj Kaal' was the most searched movie, the survey, which was released today, said.
The results, based on a study of aggregation of billions of queries people typed into Google search in 2009, showed that global economic downturn and local implications were clearly on India's mind as 'Budget 2009' and 'Satyam share price' emerged as the fastest rising queries.
Young politicians like Congress leaders Rahul and Sachin Pilot made their mark among the netizens. Rahul was the most searched politician in India, his grandmother and late prime minister Indira Gandhi was at the second position.
At the third spot was Pilot, followed by Sarah Palin, P Chidambaram, Mayawati, Barack Obama, Sonia Gandhi, Rajesh Pilot and Maneka Gandhi. Interestingly, Palin, the Republican vice presidential candidate for the 2008 elections in America, was searched more than Obama, the US president.
The new survey--The Google 'Zeitgiest'(Spirit of the times) 2009--based on Google India search queries in a reflection of what Indians were searching throughout the year, found that tennis star Sania Mirza held the top position in popular sportspersons category for the third year in a row.
The Saif Ali Khan-Deepika Padukone starrer 'Love Aaj Kaal' was the most searched movie, the survey, which was released today, said.
The results, based on a study of aggregation of billions of queries people typed into Google search in 2009, showed that global economic downturn and local implications were clearly on India's mind as 'Budget 2009' and 'Satyam share price' emerged as the fastest rising queries.
Young politicians like Congress leaders Rahul and Sachin Pilot made their mark among the netizens. Rahul was the most searched politician in India, his grandmother and late prime minister Indira Gandhi was at the second position.
At the third spot was Pilot, followed by Sarah Palin, P Chidambaram, Mayawati, Barack Obama, Sonia Gandhi, Rajesh Pilot and Maneka Gandhi. Interestingly, Palin, the Republican vice presidential candidate for the 2008 elections in America, was searched more than Obama, the US president.
Rush is one 3-D Avatar Bangalore city had not seen
Director James Cameron's 1998 film Titanic bagged 11 Oscars; with science-fiction epic Avatar, set for release in city theatres this Friday, will he score even better? That's the question Bangaloreans are asking, as they queue for tickets. Multiplexes and theatres in the city have been flooded with advance booking requests.
Vishal Vikram, manager, Priya Village Roadshow (PVR) said, "About 75% of the tickets have been booked till the weekend. For paid reviews, the tickets are already completely sold out. We are installing a three-dimensional screen only for the gold class; so the cost of tickets in that class will be higher -- Rs700 each for a weekday, and Rs1,000 for the weekend." Other screens at the PVR will be playing the movie on the two-dimensional screen, and you can watch the film there at Rs250 on a weekday and Rs450 on a weekend.
Owner of Urvashi theatre, Amit Gowda, said, "We have already sold 4,500 tickets for Avatar. We've received a tremendous response, and tickets here will cost Rs200-Rs250, and the tickets will come with some freebies too -- popcorn and coke."
Monish Nipani, unit manager, INOX, said, "About 95% of the first-day shows are booked; 80% of the tickets are already booked for the weekend shows. We will have one 3-D screen; cost of the tickets there will range from Rs120-350. We will also be providing a special glasses to our viewers. These will be sterilised and packed. We will be collecting Rs200 as a refundable advance for the use of these glasses, just to ensure their safety."
Amit Gowda, owner of Urvashi theatre, said, "For the first time, we will be getting the 3D screen from the US; we will also be providing what are called 'active shutter glasses' with the LCD crystalline glass, which will prevent bacteria from entering the eye. We are equipped to sterilize the glasses after each use."
Gowda added that at Urvashi, booking for the film opened on Tuesday, and nearly 30% of the tickets have already been sold for the first three days.
"We will be charging Rs100 extra for the 3D glasses," he said.
Don't let Avatar leave you poorer. Watch out that you return the special glasses you are provided for the 3-D effect in good shape. You might end up paying much more than the price of the ticket for a damaged pair of glasses--theatres are planning to impose a
fine of Rs2,500 for any damage. Urvashi theatre is even equipped with a device to identify the extent of damage.
The film will soon play in Hindi, Tamil and Telugu at city theatres. Meanwhile, it has already been nominated for four categories of the Golden Globe awards.
Vishal Vikram, manager, Priya Village Roadshow (PVR) said, "About 75% of the tickets have been booked till the weekend. For paid reviews, the tickets are already completely sold out. We are installing a three-dimensional screen only for the gold class; so the cost of tickets in that class will be higher -- Rs700 each for a weekday, and Rs1,000 for the weekend." Other screens at the PVR will be playing the movie on the two-dimensional screen, and you can watch the film there at Rs250 on a weekday and Rs450 on a weekend.
Owner of Urvashi theatre, Amit Gowda, said, "We have already sold 4,500 tickets for Avatar. We've received a tremendous response, and tickets here will cost Rs200-Rs250, and the tickets will come with some freebies too -- popcorn and coke."
Monish Nipani, unit manager, INOX, said, "About 95% of the first-day shows are booked; 80% of the tickets are already booked for the weekend shows. We will have one 3-D screen; cost of the tickets there will range from Rs120-350. We will also be providing a special glasses to our viewers. These will be sterilised and packed. We will be collecting Rs200 as a refundable advance for the use of these glasses, just to ensure their safety."
Amit Gowda, owner of Urvashi theatre, said, "For the first time, we will be getting the 3D screen from the US; we will also be providing what are called 'active shutter glasses' with the LCD crystalline glass, which will prevent bacteria from entering the eye. We are equipped to sterilize the glasses after each use."
Gowda added that at Urvashi, booking for the film opened on Tuesday, and nearly 30% of the tickets have already been sold for the first three days.
"We will be charging Rs100 extra for the 3D glasses," he said.
Don't let Avatar leave you poorer. Watch out that you return the special glasses you are provided for the 3-D effect in good shape. You might end up paying much more than the price of the ticket for a damaged pair of glasses--theatres are planning to impose a
fine of Rs2,500 for any damage. Urvashi theatre is even equipped with a device to identify the extent of damage.
The film will soon play in Hindi, Tamil and Telugu at city theatres. Meanwhile, it has already been nominated for four categories of the Golden Globe awards.
Monday, December 14, 2009
Africa and Bhutan on Tollywood radar
Tollywood is heading for an African Safari. Soon, exotic African locales could become a feature of Bengali films and Tollywood blockbusters might ramp up the heat in African movie
markets, a la big brother Bollywood.
Priya Entertainment, one of the leading entertainment companies in Tollywood, has initiated discussions to acquire movie halls at Addis Ababa, the capital of Ethiopia, the east African country bordering the Gulf.
It is also working on a proposal of the Ethiopian government to set up an integrated film city near Addis Ababa, a five-hour flight from Mumbai. The overseas plans of Priya Entertainment include a multiplex in Bhutan’s capital Thimphu — the first for the city.
The group operates six entertainment complexes in West Bengal that include Star Theatre and Priya Cinema in Kolkata and Geetanjali in Bolpur. Each complex has a movie theatre, restaurants, banquet and conference halls.
The managing director of Priya Entertainment, Arijit Dutta, feels that Ethiopia and its neighbouring African countries, like Somalia and Kenya, could be ideal locations for outdoor shooting. “These are exotic locations and quite cheap compared to South-East Asia or even Mumbai. Ethiopia could be a distribution hub for Hindi and Bengali films in Africa as well,” he said.
Elaborating on the plans, he said that the Ethiopian government has earmarked 6,000 hectares of land for a film city near Addis Ababa. “They have asked us to set up the film city. We have two meetings scheduled with Ethiopian minister for culture, Mohd Darir. If things materialise, it could be a good location for Bengali films,” he said, pointing out that Bollywood is doing good business in Africa. Tollywood could replicate this, he said.
“We can make double version films in Bengali and Ahmaric (the Ethiopian language) and I believe that it will make good business sense to utilise some African locations also,” he said.
The company is acquiring seven cinemas in Addis Ababa for a start, the Priya MD said. “These are all owned by the government. The scope of business is quite good. The average movie ticket in Addis Ababa is around Rs 70-80 (in Indian currency) and there is a good movie crowd in the capital city,” he said.
Commenting on Bhutan, he said that Priya is joining hands with Kolkata-based Tai Industries for a multiplex in Thimphu. Tai has business interests in Bhutan. A Bhutan consulate official said there are only two single screen cinema halls in Thimphu. If the multiplex comes up, it will be the first in the Bhutanese capital.
markets, a la big brother Bollywood.
Priya Entertainment, one of the leading entertainment companies in Tollywood, has initiated discussions to acquire movie halls at Addis Ababa, the capital of Ethiopia, the east African country bordering the Gulf.
It is also working on a proposal of the Ethiopian government to set up an integrated film city near Addis Ababa, a five-hour flight from Mumbai. The overseas plans of Priya Entertainment include a multiplex in Bhutan’s capital Thimphu — the first for the city.
The group operates six entertainment complexes in West Bengal that include Star Theatre and Priya Cinema in Kolkata and Geetanjali in Bolpur. Each complex has a movie theatre, restaurants, banquet and conference halls.
The managing director of Priya Entertainment, Arijit Dutta, feels that Ethiopia and its neighbouring African countries, like Somalia and Kenya, could be ideal locations for outdoor shooting. “These are exotic locations and quite cheap compared to South-East Asia or even Mumbai. Ethiopia could be a distribution hub for Hindi and Bengali films in Africa as well,” he said.
Elaborating on the plans, he said that the Ethiopian government has earmarked 6,000 hectares of land for a film city near Addis Ababa. “They have asked us to set up the film city. We have two meetings scheduled with Ethiopian minister for culture, Mohd Darir. If things materialise, it could be a good location for Bengali films,” he said, pointing out that Bollywood is doing good business in Africa. Tollywood could replicate this, he said.
“We can make double version films in Bengali and Ahmaric (the Ethiopian language) and I believe that it will make good business sense to utilise some African locations also,” he said.
The company is acquiring seven cinemas in Addis Ababa for a start, the Priya MD said. “These are all owned by the government. The scope of business is quite good. The average movie ticket in Addis Ababa is around Rs 70-80 (in Indian currency) and there is a good movie crowd in the capital city,” he said.
Commenting on Bhutan, he said that Priya is joining hands with Kolkata-based Tai Industries for a multiplex in Thimphu. Tai has business interests in Bhutan. A Bhutan consulate official said there are only two single screen cinema halls in Thimphu. If the multiplex comes up, it will be the first in the Bhutanese capital.
Sunday, November 29, 2009
Kollywood discovers international film fests
It is pack up' call of a different kind from Tamil film directors. They are busy packing their bags, as they head towards Goa, Dubai and other venues where international film festivals are being held. Tamil film directors are turning into globetrotters.
"Directors and producers of Tamil films are waking up to the world of international film festivals, numbering 1300 in 80 countries, ranging from Albania to Zimbabwe," says director Ameer. And with good result. "International movie merchants are asking for Tamil film DVDS ," say directors Arun Vaidyanathan and Ameer.
Arun Vaidyanathan, whose film Achchamundu Achchamundu' has been selected for screening at the Indian Panorama of the Indian International Film Festival (IIFF). Director Pandiraj, whose film Pasanga' has also been selected for the Panorama, has entered the same film the Indian Film festival, Los Angeles . He is surfing the Net for information on other festival entry deadlines.
Yogi', featuring director Ameer, as the hero will enjoy a world premiere in the competition round of the Dubai International Film Festival. Ameer's earlier directorial ventures, Raam' and Paruthiveeran' made it to some of the prestigious film fests such as the ones at Cyprus and Berlin, and walked off with a couple of awards. Two other Tamil films, Aval per tamizhaci' and Rettachuzhi' have also made it to the screening round of the Dubai International Film Fest. (from November 15).
The recent trend among young filmmakers to take their films abroad, not merely to satisfy the Tamil diaspora, but also to gain a foothold in the competitive world of international cinema, and earn both revenue and respect for Tamil filmmakers is long overdue, says director Vasanth. "The world of cinema has seen a perfect marriage between commercial and parallel movies, and awareness over world markets and the importance of taking Tamil cinema to a world audience is growing, " says director S m Vasanth, who headed the jury for the international documentary and short films of the forthcoming IIFF.
"Global merchants are looking at the biographies and career graphs of our directors and this upswing is good for our cinema, " says producer K S Sivaraman, who has sent his Naan Kadavul' to the Cairo International Film Festival. Tamil cinema has had pioneers like Mani Ratnam in this field, but it is only now that other film makers are waking up to the outside world, beyond box office collections, says Pandiraj. Mani Ratnam himself is a regular at the festivals of UCLA, California, Berlin, Toronto, Venice, Amsterdam and Washington DC. "There is a huge demand for DVD rights of his films in many of those countries, " say a spokesperson of Madras Talkies, the director's production house.
"The benefits of being part of such events are huge, " says Ameer. "You can earn as much as you do in Indian markets, and the brand value of Tamil cinema has consistently gone up in recent years, " he adds.
While entering a film, directors and producers need to ensure quality sub titling, sleek editing (running time not above 2 hours) and keeping to the deadline. The cost of entering a festival may range between Rs 20, 000 to Rs one lakh, depending upon the work involved. While the top draw festivals do not offer money, others such as the Taipei and Washington film festivals may offer a film maker between $ 500 to $ 1000.
However, making it to such fests is still a part of the learning curve for many directors, says Pandiraj. "Many of us do not know how to package our films for a global audience as yet, " he adds. Ameer agrees. "It takes a lot of effort to send a film to a festival, and it is time policy makers appoint a separate jury at a national level to screen and send Indian films to such venues," he adds.
"Directors and producers of Tamil films are waking up to the world of international film festivals, numbering 1300 in 80 countries, ranging from Albania to Zimbabwe," says director Ameer. And with good result. "International movie merchants are asking for Tamil film DVDS ," say directors Arun Vaidyanathan and Ameer.
Arun Vaidyanathan, whose film Achchamundu Achchamundu' has been selected for screening at the Indian Panorama of the Indian International Film Festival (IIFF). Director Pandiraj, whose film Pasanga' has also been selected for the Panorama, has entered the same film the Indian Film festival, Los Angeles . He is surfing the Net for information on other festival entry deadlines.
Yogi', featuring director Ameer, as the hero will enjoy a world premiere in the competition round of the Dubai International Film Festival. Ameer's earlier directorial ventures, Raam' and Paruthiveeran' made it to some of the prestigious film fests such as the ones at Cyprus and Berlin, and walked off with a couple of awards. Two other Tamil films, Aval per tamizhaci' and Rettachuzhi' have also made it to the screening round of the Dubai International Film Fest. (from November 15).
The recent trend among young filmmakers to take their films abroad, not merely to satisfy the Tamil diaspora, but also to gain a foothold in the competitive world of international cinema, and earn both revenue and respect for Tamil filmmakers is long overdue, says director Vasanth. "The world of cinema has seen a perfect marriage between commercial and parallel movies, and awareness over world markets and the importance of taking Tamil cinema to a world audience is growing, " says director S m Vasanth, who headed the jury for the international documentary and short films of the forthcoming IIFF.
"Global merchants are looking at the biographies and career graphs of our directors and this upswing is good for our cinema, " says producer K S Sivaraman, who has sent his Naan Kadavul' to the Cairo International Film Festival. Tamil cinema has had pioneers like Mani Ratnam in this field, but it is only now that other film makers are waking up to the outside world, beyond box office collections, says Pandiraj. Mani Ratnam himself is a regular at the festivals of UCLA, California, Berlin, Toronto, Venice, Amsterdam and Washington DC. "There is a huge demand for DVD rights of his films in many of those countries, " say a spokesperson of Madras Talkies, the director's production house.
"The benefits of being part of such events are huge, " says Ameer. "You can earn as much as you do in Indian markets, and the brand value of Tamil cinema has consistently gone up in recent years, " he adds.
While entering a film, directors and producers need to ensure quality sub titling, sleek editing (running time not above 2 hours) and keeping to the deadline. The cost of entering a festival may range between Rs 20, 000 to Rs one lakh, depending upon the work involved. While the top draw festivals do not offer money, others such as the Taipei and Washington film festivals may offer a film maker between $ 500 to $ 1000.
However, making it to such fests is still a part of the learning curve for many directors, says Pandiraj. "Many of us do not know how to package our films for a global audience as yet, " he adds. Ameer agrees. "It takes a lot of effort to send a film to a festival, and it is time policy makers appoint a separate jury at a national level to screen and send Indian films to such venues," he adds.
Sunday, October 25, 2009
It's payback time for Aishwarya Rai
Aishwarya Rai Bachchan's business manager of 12 years - Hari Singh - is making a movie revolving around the story of a war widow and After Hrs has learnt that Ash is helping him out by doing a special cameo in the movie without charging a single penny. It's Ash's way of giving back to Hari Singh who has been by her side as she grew from a beauty queen to one of the most recognised Bollywood stars in the world.
The yet untitled movie is set to be directed by Jagmohan Mundhra who earlier directed Ash in Provoked. In Hari Singh's film, Ash is supposed to play the character of a lawyer who makes an appearance at the end of the movie - a courtroom climax - to make a case for the war widow.
Says Jagmohan, "Hari Singh approached me to direct a film that tells the emotional and heartrending tale of a war widow, and I have agreed to do it. Ash has a special appearance in the film and it will certainly be the USP of the movie. It can't be called a cameo as it is an extremely crucial character that gets all the attention in the courtroom drama. We are expected to shoot next year as soon as the rest of the cast is finalised. I'm thrilled to team up with Ash again." Hari's daughter Bhumicka Singh is expected to play the lead in the movie.
Copyright permission mandatory to republish this article.
The yet untitled movie is set to be directed by Jagmohan Mundhra who earlier directed Ash in Provoked. In Hari Singh's film, Ash is supposed to play the character of a lawyer who makes an appearance at the end of the movie - a courtroom climax - to make a case for the war widow.
Says Jagmohan, "Hari Singh approached me to direct a film that tells the emotional and heartrending tale of a war widow, and I have agreed to do it. Ash has a special appearance in the film and it will certainly be the USP of the movie. It can't be called a cameo as it is an extremely crucial character that gets all the attention in the courtroom drama. We are expected to shoot next year as soon as the rest of the cast is finalised. I'm thrilled to team up with Ash again." Hari's daughter Bhumicka Singh is expected to play the lead in the movie.
Copyright permission mandatory to republish this article.
India not nominating right movies for Oscar: Resul Pookutty
Oscar winning sound technician Resul Pookutty says the film federation of India is not nominating right movies for the Oscar.
"Why are we not figuring ourselves in the foreign film category is a good question that we should ask filmmakers of the country. Why are we falling behind. We should ask the film federation why we are not sending the right films", Pookutty told PTI.
Stating that there was a misconception about the Oscars, he said Oscar is not for Indian movies. "Oscar is for American movies that had been shown in American theatres. ''The only way Indian films can appear is in the foreign category.We are competing with so many other countries that are making fabulous movies for many years.''
Pookutty, who also will be a part of the elite 6,000 member organisation (Academy of Motion Pictures) that chooses the winners of Oscars, said media plays an important role in making people aware of movie making.
"Media is giving so much attention. In a way it (media) makes people aware of my trade", he said. Pookutty, also a member of jury in the recently concluded India International Disablity Film Festival, organised by Ability Foundation, said films on differently-abled people should make a positive change in society.
"My capacity this year is a part of the Foundation as a jury member.Whatever the foundation asks me to do in future I will continue to do in my own capacity as a person and also a technician". From making his debut in a small budget film 'Private Detective' in 1997, Pookutty has come a long way.Pookutty had won the Academy Award for Best Sound Mixing for the film 'Slumdog Millionaire.'
Resul Pookutty will join compatriot, music maestro AR Rahman, as a voting member of the Academy of Motion Pictures and hopes that the new role might attract Hollywood's attention.
"Why are we not figuring ourselves in the foreign film category is a good question that we should ask filmmakers of the country. Why are we falling behind. We should ask the film federation why we are not sending the right films", Pookutty told PTI.
Stating that there was a misconception about the Oscars, he said Oscar is not for Indian movies. "Oscar is for American movies that had been shown in American theatres. ''The only way Indian films can appear is in the foreign category.We are competing with so many other countries that are making fabulous movies for many years.''
Pookutty, who also will be a part of the elite 6,000 member organisation (Academy of Motion Pictures) that chooses the winners of Oscars, said media plays an important role in making people aware of movie making.
"Media is giving so much attention. In a way it (media) makes people aware of my trade", he said. Pookutty, also a member of jury in the recently concluded India International Disablity Film Festival, organised by Ability Foundation, said films on differently-abled people should make a positive change in society.
"My capacity this year is a part of the Foundation as a jury member.Whatever the foundation asks me to do in future I will continue to do in my own capacity as a person and also a technician". From making his debut in a small budget film 'Private Detective' in 1997, Pookutty has come a long way.Pookutty had won the Academy Award for Best Sound Mixing for the film 'Slumdog Millionaire.'
Resul Pookutty will join compatriot, music maestro AR Rahman, as a voting member of the Academy of Motion Pictures and hopes that the new role might attract Hollywood's attention.
Thursday, September 17, 2009
T4 a Tamil film by woman debutant director
Quite different from the action and thriller genre common to Kollywood comes a Tamil film by a woman debutant director which tells the story of two conflicting fun-loving characters, who discover each other while ‘unravelling a mystery.’
“Thiru Thiru Thuru Thuru (T4) is a small and cute comedy film that will appeal to all sections,” said J S Nandhini, who earlier assisted Priya V. in Kanda Naal Mudhal. Besides direction, Nandhini has also done the story, screenplay and dialogue. It was always her dream to become a film director and it came true when her script and a few trailers she shot were approved by the producers; Real Image and Sathyam cinemas.
“I struggled for this opportunity. It came as a great relief and it was a long awaited chance,’ she told media. Upcoming actor Ajmal and new face Rupa are playing the main roles. She wanted fresh faces since the story is about two perky youngsters, the comic situations they get into and how their relationship develops as they travel together to unravel ‘a mystery’.
Nandhini had doubts about Ajmal as he had already acted in a mature role as a ‘30-something with moustache’ in Anjaathey. She wanted a youngster to play the role of Arjun, ‘a playful, wacky guy.’ “But when I saw him, I realised he was the right person to fit into the role of Arjun,” she said. “Rupa, on the other hand, is a newcomer. I selected her after conducting 25-30 auditions. One good thing about her was that she was able to mimic my expressions. Both Ajmal and Rupa blended into the roles of Arjun and Archana,” Nandhini said. Asked if it is tough being a ‘woman director’, she laughed. “Listen, people do not have many expectations (if you are one). They expect you to make mistakes. But then, when you come up with good work, they will be impressed.”
On a serious note, Nandhini said she did not have problems once she wore the director’s hat. People co-operated with her. ‘Maybe it could have been different ten years ago. But now people have an open mind...”
Actor and director Mouli is also enacting a role in the movie, shot in digital format. The work on the movie, which was shot in Chennai, Udhagamandalam (Ooty) and Puducherry, started in 2007. “We went on fine tuning the film and it is slated for release on September 25,” she said. The film’s audio launch was done by Kamal Haasan in August.
Ajmal said he enjoyed working in the movie. Till now he was doing serious roles. “This is the first time I am doing a comedy and I really enjoyed each and every minute.’
“Thiru Thiru Thuru Thuru (T4) is a small and cute comedy film that will appeal to all sections,” said J S Nandhini, who earlier assisted Priya V. in Kanda Naal Mudhal. Besides direction, Nandhini has also done the story, screenplay and dialogue. It was always her dream to become a film director and it came true when her script and a few trailers she shot were approved by the producers; Real Image and Sathyam cinemas.
“I struggled for this opportunity. It came as a great relief and it was a long awaited chance,’ she told media. Upcoming actor Ajmal and new face Rupa are playing the main roles. She wanted fresh faces since the story is about two perky youngsters, the comic situations they get into and how their relationship develops as they travel together to unravel ‘a mystery’.
Nandhini had doubts about Ajmal as he had already acted in a mature role as a ‘30-something with moustache’ in Anjaathey. She wanted a youngster to play the role of Arjun, ‘a playful, wacky guy.’ “But when I saw him, I realised he was the right person to fit into the role of Arjun,” she said. “Rupa, on the other hand, is a newcomer. I selected her after conducting 25-30 auditions. One good thing about her was that she was able to mimic my expressions. Both Ajmal and Rupa blended into the roles of Arjun and Archana,” Nandhini said. Asked if it is tough being a ‘woman director’, she laughed. “Listen, people do not have many expectations (if you are one). They expect you to make mistakes. But then, when you come up with good work, they will be impressed.”
On a serious note, Nandhini said she did not have problems once she wore the director’s hat. People co-operated with her. ‘Maybe it could have been different ten years ago. But now people have an open mind...”
Actor and director Mouli is also enacting a role in the movie, shot in digital format. The work on the movie, which was shot in Chennai, Udhagamandalam (Ooty) and Puducherry, started in 2007. “We went on fine tuning the film and it is slated for release on September 25,” she said. The film’s audio launch was done by Kamal Haasan in August.
Ajmal said he enjoyed working in the movie. Till now he was doing serious roles. “This is the first time I am doing a comedy and I really enjoyed each and every minute.’
Bollywood moves hit Nanaimo
It's no secret that dance is becoming very popular these days, both as a social activity and as a form of fitness.
Bollywood is a relative newcomer to the North American dance scene, but with hit movies like Slumdog Millionaire offering audiences a taste of the popular Indian dance, interest in learning this dance style is growing.
Soul Sister Studio will present a Bollywood workshop for women with Victoria's Raji Basi this Saturday. The first workshop scheduled from noon to 2 p.m. filled almost immediately, so a second session has been added from 2:30-4:30 p.m. Both sessions will be the same, and will included both the slower, gentler Bollywood dance style, as well as the more energetic Bhangra style. The workshops will be held at Soul Sister, 210 Fourth St. in Harewood.
Born in the Punjab State of India, Basi taught herself to dance watching Bollywood films. Raji's passion are choreographing and dancing to Punjabi/Hindi songs, which she has performed in many local variety shows and for television programs. She has also taught dance to children and adults in Victoria. Raji was recently in Nanaimo to present a dance workshop at the Multicultural HealthFest and is excited to return to share her love of this dance form with Nanaimo.
Bollywood is a relative newcomer to the North American dance scene, but with hit movies like Slumdog Millionaire offering audiences a taste of the popular Indian dance, interest in learning this dance style is growing.
Soul Sister Studio will present a Bollywood workshop for women with Victoria's Raji Basi this Saturday. The first workshop scheduled from noon to 2 p.m. filled almost immediately, so a second session has been added from 2:30-4:30 p.m. Both sessions will be the same, and will included both the slower, gentler Bollywood dance style, as well as the more energetic Bhangra style. The workshops will be held at Soul Sister, 210 Fourth St. in Harewood.
Born in the Punjab State of India, Basi taught herself to dance watching Bollywood films. Raji's passion are choreographing and dancing to Punjabi/Hindi songs, which she has performed in many local variety shows and for television programs. She has also taught dance to children and adults in Victoria. Raji was recently in Nanaimo to present a dance workshop at the Multicultural HealthFest and is excited to return to share her love of this dance form with Nanaimo.
Bollywood set to enthral audience with fantasy flick 'Aladin'
The classic tale of 'Aladin and the Magic Lamp' has undergone a modern-day transformation at the Bollywood studios and is all set to weave its magic around the audiences in the form of a new fantasy flick.
One of the best loved children stories, which first appeared in 'The Book of One Thousand and One Nights' has been adapted by film maker Sujoy Gosh to cater to the audience.
'Aladin' boasts of a commendable star cast, including Bollywood superstar Amitabh Bachchan and Sri Lankan beauty queen Jacqueline Fernandez.
'Aladin' is the story of an orphan, Aladin, played by actor Riteish Deshmukh who lives in the city of Khwaish and is bullied since childhood by Kasim and his gang.
How his life takes a turn when he meets Jasmine played by Jacqueline, who gives him a magic lamp and what happens after that, forms the basic plot of the film.
Riteish Deshmukh, who has made a mark in comic roles, sounded quite excited to take a break from comedy and do something different.
"Aladin primarily is fun. It has romance, action and adventure, so it is complete family kind of a film. There will be funny bits, but it's not the kind of stuff that I've done before," Riteish said.
For Jacqueline, who is making her debut with this film, acting in a Hindi film was quite a tough thing to do.
"I would say its possibly one of the most challenging thing I've done in my life. It definitely was difficult to learn any language but I had a great team working with me. I had very cooperative co-stars and very cooperative director. It just made it all the more easier," said Jacqueline.
The film seems a good mix of magic and action and promises to floor the audiences with its new storyline.
The film will release on October 30.
One of the best loved children stories, which first appeared in 'The Book of One Thousand and One Nights' has been adapted by film maker Sujoy Gosh to cater to the audience.
'Aladin' boasts of a commendable star cast, including Bollywood superstar Amitabh Bachchan and Sri Lankan beauty queen Jacqueline Fernandez.
'Aladin' is the story of an orphan, Aladin, played by actor Riteish Deshmukh who lives in the city of Khwaish and is bullied since childhood by Kasim and his gang.
How his life takes a turn when he meets Jasmine played by Jacqueline, who gives him a magic lamp and what happens after that, forms the basic plot of the film.
Riteish Deshmukh, who has made a mark in comic roles, sounded quite excited to take a break from comedy and do something different.
"Aladin primarily is fun. It has romance, action and adventure, so it is complete family kind of a film. There will be funny bits, but it's not the kind of stuff that I've done before," Riteish said.
For Jacqueline, who is making her debut with this film, acting in a Hindi film was quite a tough thing to do.
"I would say its possibly one of the most challenging thing I've done in my life. It definitely was difficult to learn any language but I had a great team working with me. I had very cooperative co-stars and very cooperative director. It just made it all the more easier," said Jacqueline.
The film seems a good mix of magic and action and promises to floor the audiences with its new storyline.
The film will release on October 30.
Monday, September 7, 2009
I was a little immature: Chitrangada Singh
She'd surprised everyone by suddenly disappearing to Delhi after a critically acclaimed debut in Hazaaron Khwaishen Aisi amidst reports that her hubby, golfer Jyoti Randhawa, didn't quite like the intrusive trappings of Bollywood. And now, just as suddenly, she's back, looking for a house with the intention of settling in Mumbai.
"Since I will be working here, it's logical to buy a place here," Chitrangada told . She's been shuttling between Delhi and Mumbai for some time now to balance her work and family life. "I have two sisters here, one lives in Yari Road and the other at Powai. Whenever I am in Mumbai, I stay with them. But this time I am quite serious about buying a place here, so I am checking out flats one after another." Her preferences are clear too. "I'd prefer a house either in Versova or Juhu."
She's gung-ho about her projects, which include the sequel to Is Raat Ki Subah Nahi opposite Irrfan Khan and Dhruv opposite Farhan Akhtar.
"Dhruv is an interesting film as I am playing a seductress in the movie. The character is quite sensuous and has a unique charm." But since the film also stars Kareena Kapoor, does it mean she's playing second fiddle? "I don't think it's a supporting role, I'd say it's a parallel character," she counters.
Her sudden exit was assumed to be because of her husband, but Chitrangada says she herself made the move -- which she regrets now. "I think I was a little immature to take that sudden decision. I guess a lot of things were circulated in the industry and I didn't know how to deal with them. Moreover, my family is not a part of this industry and they don't know how the industry functions. But I guess things are better now."
Is she ready for link-ups and assorted gossip? "I guess Jyoti and I are rock solid now. I am here to work and I want to concentrate on that. But in the end, I don't want to blame the media because in the stories, there is some truth most of the time, except a few occasions when completely bizarre things are written," she ends.
"Since I will be working here, it's logical to buy a place here," Chitrangada told . She's been shuttling between Delhi and Mumbai for some time now to balance her work and family life. "I have two sisters here, one lives in Yari Road and the other at Powai. Whenever I am in Mumbai, I stay with them. But this time I am quite serious about buying a place here, so I am checking out flats one after another." Her preferences are clear too. "I'd prefer a house either in Versova or Juhu."
She's gung-ho about her projects, which include the sequel to Is Raat Ki Subah Nahi opposite Irrfan Khan and Dhruv opposite Farhan Akhtar.
"Dhruv is an interesting film as I am playing a seductress in the movie. The character is quite sensuous and has a unique charm." But since the film also stars Kareena Kapoor, does it mean she's playing second fiddle? "I don't think it's a supporting role, I'd say it's a parallel character," she counters.
Her sudden exit was assumed to be because of her husband, but Chitrangada says she herself made the move -- which she regrets now. "I think I was a little immature to take that sudden decision. I guess a lot of things were circulated in the industry and I didn't know how to deal with them. Moreover, my family is not a part of this industry and they don't know how the industry functions. But I guess things are better now."
Is she ready for link-ups and assorted gossip? "I guess Jyoti and I are rock solid now. I am here to work and I want to concentrate on that. But in the end, I don't want to blame the media because in the stories, there is some truth most of the time, except a few occasions when completely bizarre things are written," she ends.
Tuesday, August 25, 2009
Film stars celebrate Ganesha Chaturthi
Bollywood stars commenced the celebration of the ten-day-long Ganesha Chaturthi festival here.
Actor Jeetendra celebrated the festival with his daughter Ekta Kapoor.
"For the last 32 years, that was when my daughter Ekta Kapoor was born, I brought Ganapati to my house for the first time and since then we have been praying in front of the Ganapati idol," said Jeetendra.
"I wish everyone happy Ganesha Chaturthi and would advise everyone to look after oneself because one is precious for one's family and one's country," said Nana Patekar.
Actor Govinda also celebrated the festival with his family.
Ganapati festival is a ten-day long event at the end of which the idol of Lord Ganesha is taken in a grand processions and immersed in water bodies such as rivers, tanks, ponds and wells. In Mumbai the idol is immersed in the sea.
Lord Ganesha, is one of the most revered Gods of Hindus, and is worshipped at the beginning of every auspicious occasion.
Ganesha, as the God of knowledge is described as "Vinayaka"and as remover of obstacles he is called "Vighanharta". He is worshipped at the beginning of every auspicious occasion for blessings of luck and success.
Actor Jeetendra celebrated the festival with his daughter Ekta Kapoor.
"For the last 32 years, that was when my daughter Ekta Kapoor was born, I brought Ganapati to my house for the first time and since then we have been praying in front of the Ganapati idol," said Jeetendra.
"I wish everyone happy Ganesha Chaturthi and would advise everyone to look after oneself because one is precious for one's family and one's country," said Nana Patekar.
Actor Govinda also celebrated the festival with his family.
Ganapati festival is a ten-day long event at the end of which the idol of Lord Ganesha is taken in a grand processions and immersed in water bodies such as rivers, tanks, ponds and wells. In Mumbai the idol is immersed in the sea.
Lord Ganesha, is one of the most revered Gods of Hindus, and is worshipped at the beginning of every auspicious occasion.
Ganesha, as the God of knowledge is described as "Vinayaka"and as remover of obstacles he is called "Vighanharta". He is worshipped at the beginning of every auspicious occasion for blessings of luck and success.
I was apprehensive facing the camera after so many years: Amol Palekar
Amol Palekar, who considers filmmaking as his first love, was so fascinated by the protagonist in Samaantar that he was lured to act in the Marathi movie after a gap of nearly 25 years.
Palekar, essaying the role of industrialist Keshav Vaze in the soon-to-be-released film, which also stars Sharmila Tagore, says he was very apprehensive to face the camera after so many years.
"I was very apprehensive. I still am. When you have not used your craft for so many years it tends to get rusty but I could not resist the temptation to play Keshav in the movie," 64-year-old Palekar said in an interview.
"Bollywood is not the end of Indian cinema. There is lot of experiment happening in regional cinema. It is huge, diverse and no country other than India can offer so much in a platter. I believe that good regional cinema can be more binding and Samaantar is one such film," the actor, who was last seen in Vidhu Vinod Chopra's Khamosh in 1985, says.
"When I read about Keshav, I immediately got drawn to the character which has a complexity and is multi-layered. I took up it as a challenge. I wanted to know whether I could do it or not," says Palekar, who immortalised the quintessential 'middle class man' of Hindi cinema of the 1970s with films like Golmaal, Chitchore and Ek Chhoti Si Baat.
The film by Big Pictures will be released on September 4 and with English sub-titles in the metros.
The film, written and co-directed by Palekar's wife Sandhya Gokhale, revolves around the story of Keshav, who achieves success but in the process ends up wrapped in his own melancholy prompting him to look back at his life.
He finds his lost love Shama (Sharmila), who is now leading a life of recluse. As Keshav strives to know more about Shama, he realises that though both had drifted apart they have been leading a parallel life sharing their loneliness.
"His (Keshav's) is a success story. He is leading hectic life but at the same time when he returns to his bed at the end of the day he is a very lonely man. This aspect was so fascinating and so challenging for me that I told myself that I want to try this out," the filmmaker says.
This role is not new to Palekar, who started his career as a director with Akriet (Misgotten) in 1981 and has tackled many unconventional themes in his journey -- be it a woman's decision to support her gay husband (Thaang) or a transvestite's struggle for a decent survival (Daayraa).
Palekar, who calls himself actor by accident and director by choice, says he found it challenging to shuffle between the duel responsibility of a director and actor in Samaanter.
"Directing the film was not easy because I had stopped doing that (acting and directing) after Ankaahi (1984). I still remember that my entire focus at that time used to be on direction."
"I used to get so consumed in my job as a director that I used to give least time to the actor Amol Palekar. When I realised that, I decided to let the actor rest and work as a filmmaker. But it was easier this time because I shifted the pressure to Sandhya," he says.
Palekar, whose last Hindi film (as a director only) was Dum Kata (A Tale of a Tail) starring Om Puri and Shernaz Patel in 2008, says he never felt the need to compromise with his craft.
"My film making process is very simple. I decide to make a film only if I love the subject and the theme. So much so that it becomes almost an obsession with me and I want to share it with people. Every subject comes with its own demands like the language, whether there should be songs or only music -- things that are dictated by the subject."
On whether he was under pressure to compromise with his craft, he says: "I came at a time when the industry had actors like Dharmendra, Rajesh Khanna and Jitendra with larger-than-life images. No one thought that a hero like me could find success but I was loved by the audiences. As long as I am not trying to be a Rajesh Khanna or someone else there is no risk involved.
"I know what I want to do and how best I can do beyond that what is the fear? Whether the audiences will like it or not is perennial question that will always remain. I also don't believe that there is any success formula," he added.
Palekar, essaying the role of industrialist Keshav Vaze in the soon-to-be-released film, which also stars Sharmila Tagore, says he was very apprehensive to face the camera after so many years.
"I was very apprehensive. I still am. When you have not used your craft for so many years it tends to get rusty but I could not resist the temptation to play Keshav in the movie," 64-year-old Palekar said in an interview.
"Bollywood is not the end of Indian cinema. There is lot of experiment happening in regional cinema. It is huge, diverse and no country other than India can offer so much in a platter. I believe that good regional cinema can be more binding and Samaantar is one such film," the actor, who was last seen in Vidhu Vinod Chopra's Khamosh in 1985, says.
"When I read about Keshav, I immediately got drawn to the character which has a complexity and is multi-layered. I took up it as a challenge. I wanted to know whether I could do it or not," says Palekar, who immortalised the quintessential 'middle class man' of Hindi cinema of the 1970s with films like Golmaal, Chitchore and Ek Chhoti Si Baat.
The film by Big Pictures will be released on September 4 and with English sub-titles in the metros.
The film, written and co-directed by Palekar's wife Sandhya Gokhale, revolves around the story of Keshav, who achieves success but in the process ends up wrapped in his own melancholy prompting him to look back at his life.
He finds his lost love Shama (Sharmila), who is now leading a life of recluse. As Keshav strives to know more about Shama, he realises that though both had drifted apart they have been leading a parallel life sharing their loneliness.
"His (Keshav's) is a success story. He is leading hectic life but at the same time when he returns to his bed at the end of the day he is a very lonely man. This aspect was so fascinating and so challenging for me that I told myself that I want to try this out," the filmmaker says.
This role is not new to Palekar, who started his career as a director with Akriet (Misgotten) in 1981 and has tackled many unconventional themes in his journey -- be it a woman's decision to support her gay husband (Thaang) or a transvestite's struggle for a decent survival (Daayraa).
Palekar, who calls himself actor by accident and director by choice, says he found it challenging to shuffle between the duel responsibility of a director and actor in Samaanter.
"Directing the film was not easy because I had stopped doing that (acting and directing) after Ankaahi (1984). I still remember that my entire focus at that time used to be on direction."
"I used to get so consumed in my job as a director that I used to give least time to the actor Amol Palekar. When I realised that, I decided to let the actor rest and work as a filmmaker. But it was easier this time because I shifted the pressure to Sandhya," he says.
Palekar, whose last Hindi film (as a director only) was Dum Kata (A Tale of a Tail) starring Om Puri and Shernaz Patel in 2008, says he never felt the need to compromise with his craft.
"My film making process is very simple. I decide to make a film only if I love the subject and the theme. So much so that it becomes almost an obsession with me and I want to share it with people. Every subject comes with its own demands like the language, whether there should be songs or only music -- things that are dictated by the subject."
On whether he was under pressure to compromise with his craft, he says: "I came at a time when the industry had actors like Dharmendra, Rajesh Khanna and Jitendra with larger-than-life images. No one thought that a hero like me could find success but I was loved by the audiences. As long as I am not trying to be a Rajesh Khanna or someone else there is no risk involved.
"I know what I want to do and how best I can do beyond that what is the fear? Whether the audiences will like it or not is perennial question that will always remain. I also don't believe that there is any success formula," he added.
Friday, July 31, 2009
Dressing up papa Federer!
As a fashion designer, it is not surprising that Narendra Kumar has worked with many brands. So what's interesting is that at a time when Bollywood and sports stars end up being the faces of all Indian and international brands, he's been signed on as the brand ambassador for Swiss International Airlines.
Says Narendra, "I must admit that I was glad a designer was considered; it's high time we got out of the rut and companies started looking beyond these sections. More importantly, the company and I share the same principles -- we both believe in class and performance. So I identify with the company."
And it doesn't stop at that because while Narendra is the ambassador in India, tennis aceand father of twins Roger Federer is the international ambassador for the airline. "I must say that it's great to be in such esteemed company -- I am a fan of his. But it wouldn't be fair to compare us -- I mean, I am not a patch on him. He's in a different league; he's made history and I am far from anything like that -- at least as of now," laughs Nari.
That said, could this common factor between them also possibly translate into a future meeting between the two? "To be very honest, I am not sure how and when that's going to happen as he (Roger) is an extremely busy man. But if and when I meet him, I'd love to gift him one of my creations," he notes.
So what would he want Roger to wear? "I'd want to dress him in an outfit that is both Indian and international. He's an international figure, so global appeal is important. I'd make him a one-button cutaway suit which is an Indian version of the tuxedo. The fabric will be high quality wool in black colour while the shirt inside would be a white cotton dress shirt with French cuffs. The black woolen trousers would complete the look. So it would be like a westernised bandhgala; the jacket, in particular, will add that dash of Indianness," he explains.
Says Narendra, "I must admit that I was glad a designer was considered; it's high time we got out of the rut and companies started looking beyond these sections. More importantly, the company and I share the same principles -- we both believe in class and performance. So I identify with the company."
And it doesn't stop at that because while Narendra is the ambassador in India, tennis aceand father of twins Roger Federer is the international ambassador for the airline. "I must say that it's great to be in such esteemed company -- I am a fan of his. But it wouldn't be fair to compare us -- I mean, I am not a patch on him. He's in a different league; he's made history and I am far from anything like that -- at least as of now," laughs Nari.
That said, could this common factor between them also possibly translate into a future meeting between the two? "To be very honest, I am not sure how and when that's going to happen as he (Roger) is an extremely busy man. But if and when I meet him, I'd love to gift him one of my creations," he notes.
So what would he want Roger to wear? "I'd want to dress him in an outfit that is both Indian and international. He's an international figure, so global appeal is important. I'd make him a one-button cutaway suit which is an Indian version of the tuxedo. The fabric will be high quality wool in black colour while the shirt inside would be a white cotton dress shirt with French cuffs. The black woolen trousers would complete the look. So it would be like a westernised bandhgala; the jacket, in particular, will add that dash of Indianness," he explains.
Ranbir and Kat won't dub together
The industry grapevine is buzzing with the rumour that Ranbir Kapoor and Katrina Kaif are no longer on talking terms. The actors were bonding so much on the sets of Ajab Prem Ki Ghazab Kahani that they were fuelling rumours that there might be more to their relationship than what meets the eye and that Ranbir's relationship with Deepika Padukone was on the rocks.
Deepika is said to have even visited the sets of Rajkumar Santoshi's film just to check whether the rumour had any truth to it. And then reports claimed that Deepika had put her foot down and thus Ranbir put the brakes on his growing friendship with Kat to mend their affair.
Since then, sources say that the duo are avoiding each other completely and have also dubbed separately for the film even for portions that required them to do it together because there are emotionally charged moments that needed the right channelling of feelings from both parties.
Our source says, "Ranbir and Katrina became very close friends on the sets of the film and their growing fondness for each other speculated a lot of rumour. The two even attended the wrap-up party of the film and their body language was very cordial.
Everything was fine between them till then but after reports said that Deepika was not taking their relationship with a smile, things seem to have changed. The two were supposed to dub together for the movie but now they aren't doing that. They came into the dubbing studio separately and have not even met once there. They have also not signed any other film in which they are being cast together."
Rajkumar Santoshi confirms the news saying, "It is true that they are not dubbing together. I really would have loved to see them dub together as there were scenes that needed them to be together. I can't say anything on whether they are on talking terms or not," he states, adding, "They are thorough professionals. Katrina and Ranbir have been on time for the dubbing sessions even if they are not doing it together."
When contacted, Katrina remained tight-lipped on the subject. On the news of them not being on talking terms, "Not true," she said. "It takes me a lot longer to dub so I have started earlier." She then went on to add, "We are good friends."
Now, now, haven't we heard this line a number of times before!
Deepika is said to have even visited the sets of Rajkumar Santoshi's film just to check whether the rumour had any truth to it. And then reports claimed that Deepika had put her foot down and thus Ranbir put the brakes on his growing friendship with Kat to mend their affair.
Since then, sources say that the duo are avoiding each other completely and have also dubbed separately for the film even for portions that required them to do it together because there are emotionally charged moments that needed the right channelling of feelings from both parties.
Our source says, "Ranbir and Katrina became very close friends on the sets of the film and their growing fondness for each other speculated a lot of rumour. The two even attended the wrap-up party of the film and their body language was very cordial.
Everything was fine between them till then but after reports said that Deepika was not taking their relationship with a smile, things seem to have changed. The two were supposed to dub together for the movie but now they aren't doing that. They came into the dubbing studio separately and have not even met once there. They have also not signed any other film in which they are being cast together."
Rajkumar Santoshi confirms the news saying, "It is true that they are not dubbing together. I really would have loved to see them dub together as there were scenes that needed them to be together. I can't say anything on whether they are on talking terms or not," he states, adding, "They are thorough professionals. Katrina and Ranbir have been on time for the dubbing sessions even if they are not doing it together."
When contacted, Katrina remained tight-lipped on the subject. On the news of them not being on talking terms, "Not true," she said. "It takes me a lot longer to dub so I have started earlier." She then went on to add, "We are good friends."
Now, now, haven't we heard this line a number of times before!
Love Aaj Kal opens to huge expectations
Director Imtiaz Ali's much awaited Love Aaj Kal, marking the debut of national-award winning actor Saif Ali Khan as a producer, released worldwide today to huge expectations.
With this, the Omkara star has joined the Khan bandwagon--Shah Rukh and Aamir, who are established producers.
Love... is a story eulogising the importance of heart over head theme for a commitment phobic, where Saif plays two diverse characters, featuring Deepika Padukone as the female protagonist.
The actor essays the characters of Jai representing today's alpha male, and Veer, the younger version of Rishi Kapoor, a shy but sure lover, set in the 50s; and in both the phases, he listens and follows his heart to win the lady love in different circumstances.
While some critics dubbed the Imtiaz Ali's latest as cliched, others said good locales and foot-tapping numbers may help it to pick up with word-of-the-mouth publicity.
"Expectations are high especially after Jab We Met and comparisons between both the films were evident," said another film critic.
An additional highlight of the film is a cameo by yesteryear actress Neetu Singh opposite her real life husband Rishi Kapoor.
Akash, a college student, who caught the first show today, went ga-ga over the Om Shanti Om girl Deepika Padukone. "A few more such classy performances and she would be in the top league," he said.
However, Shashi Sharma, a bank manager in his mid 40s, did not find the film to be riveting but found Deepika impressive.
Senior journalist Ajay Brahmatmaj, felt that the Imtiaz used the flashback sequences in a very innovative manner.
On Deepika's performance he said," the character required a lot of maturity. Especially in the sequence depicting her longing for Saif and dilema to choose between love and marriage could have been handled in a better way."
"Saif has handled two different characters ably showing his versatality." As usual, Rishi Kapoor was very likeable even in a small role, he added.
The movie also had its share of controversies with the All India Punjabi Cultural and Heritage Board objecting to two scenes in a Gurudwara and the trimmed beard of Saif's Sikh character in the film.
However, Saif has given a written apology to the board, its president Charan Singh Sapra said yesterday.
With this, the Omkara star has joined the Khan bandwagon--Shah Rukh and Aamir, who are established producers.
Love... is a story eulogising the importance of heart over head theme for a commitment phobic, where Saif plays two diverse characters, featuring Deepika Padukone as the female protagonist.
The actor essays the characters of Jai representing today's alpha male, and Veer, the younger version of Rishi Kapoor, a shy but sure lover, set in the 50s; and in both the phases, he listens and follows his heart to win the lady love in different circumstances.
While some critics dubbed the Imtiaz Ali's latest as cliched, others said good locales and foot-tapping numbers may help it to pick up with word-of-the-mouth publicity.
"Expectations are high especially after Jab We Met and comparisons between both the films were evident," said another film critic.
An additional highlight of the film is a cameo by yesteryear actress Neetu Singh opposite her real life husband Rishi Kapoor.
Akash, a college student, who caught the first show today, went ga-ga over the Om Shanti Om girl Deepika Padukone. "A few more such classy performances and she would be in the top league," he said.
However, Shashi Sharma, a bank manager in his mid 40s, did not find the film to be riveting but found Deepika impressive.
Senior journalist Ajay Brahmatmaj, felt that the Imtiaz used the flashback sequences in a very innovative manner.
On Deepika's performance he said," the character required a lot of maturity. Especially in the sequence depicting her longing for Saif and dilema to choose between love and marriage could have been handled in a better way."
"Saif has handled two different characters ably showing his versatality." As usual, Rishi Kapoor was very likeable even in a small role, he added.
The movie also had its share of controversies with the All India Punjabi Cultural and Heritage Board objecting to two scenes in a Gurudwara and the trimmed beard of Saif's Sikh character in the film.
However, Saif has given a written apology to the board, its president Charan Singh Sapra said yesterday.
Marriage made in heaven or on TV? Rakhi will decide on Sunday
Will she? Won't she? Rakhi Sawant moved from being an outspoken item girl to a coy bride, and now the question whether she will actually get married through her televised swayamvar has middle class India in a thrall.
The "wedding" is slated for Sunday on her show Rakhi ka Swayamvar -- which saw Rakhi choosing the most suitable groom from a list of 16 in 25 episodes -- and excitement is peaking.
"It has to be the Canadian guy", "She will walk out without marrying", "There will be a wild card entry", "The contestants would be asked to choose between money and Rakhi", "Who cares?"... just some of the random thoughts and queries of the many viewers that NDTV Imagine added after the reality show began June 29.
Dressed in Indian finery and suitably demure, Rakhi shortlisted five grooms and even went to their homes to get to know the families. As the feisty bit actress who hit the limelight with her outrageous statements, not to forget the kissing controversy with singer Mika, played the ideal Indian bahu, viewers happily tuned in every weeknight.
On Sunday, the speculation will come to an end when Rakhi announces whom she will marry.
"It's likely that the show is a farce, because most of the shows that generate huge publicity are planned for that purpose. Maybe she will marry him for the show, with a pre-nuptial agreement and then annul the marriage...unless the chosen one is rich enough to stay with," said Jaya Kumar Mathur, a housewife.
There are others who did not share Jaya's cynicism and said Rakhi could actually be looking for true love.
According to Saniya Mehta, for instance, it is quite possible she will settle down with one of the final three contenders - Toronto-based Gujarati boy Elesh Parujanwala, young aspirant Manas Katyal and businessman Chhitiz Jain, both of whom stay in New Delhi.
"But unless the groom shifts to Mumbai, which is Rakhi's workplace, her life would not be smooth after the show. She should take her decision carefully," said Mehta who feels Parujanwala is the best suitor for the item girl.
Channel officials are equally clueless.
"It would be a big decision for Rakhi. There is new speculation every day about the climax of the show, but even we can't tell anything as of now. Ultimately what will happen on Sunday will be entirely Rakhi's call," Nikhil Madhok, vice president (marketing and communications) of NDTV Imagine said.
"If she says she wants to marry the same day, we are all set with the preparations. If not, it's for her to decide because it's her life," he added.
The preparations are grand. Whatever the decision, Rakhi will be dressed in a Neeta Lulla creation and wear jewellery designed by Farah Ali Khan, including a necklace worth Rs 3 million.
Of course, like any other grand Indian wedding, a multi-cuisine buffet dinner will be laid out. The menu, planned by Rakhi herself will include Gujarati, Punjabi and Maharashtrian delicacies.
The guest list will be equally impressive, including TV celebrities as well as Bollywood stars. Rumours are rife that Bollywood's ace director Karan Johar, who invited Rakhi on his chat show Koffee With Karan is expected to be one of the invitees.
The show, the first of its kind in India, has brought unprecedented TRP (television rating points) success for NDTV Imagine. The premiere of the one-hour show saw ratings soar to 3.5%. The channel is hoping that Sunday's episode will be even better.
In the original American show, The Bachelorette, the contestant in many cases didn't get married or the marriage didn't last too long, with the one exception. Trista Rehn marriedphysiotherapist Ryan Sutter in the maiden season of the show in 2003 and now has two children.
So will it be happily ever after for Rakhi too?
The "wedding" is slated for Sunday on her show Rakhi ka Swayamvar -- which saw Rakhi choosing the most suitable groom from a list of 16 in 25 episodes -- and excitement is peaking.
"It has to be the Canadian guy", "She will walk out without marrying", "There will be a wild card entry", "The contestants would be asked to choose between money and Rakhi", "Who cares?"... just some of the random thoughts and queries of the many viewers that NDTV Imagine added after the reality show began June 29.
Dressed in Indian finery and suitably demure, Rakhi shortlisted five grooms and even went to their homes to get to know the families. As the feisty bit actress who hit the limelight with her outrageous statements, not to forget the kissing controversy with singer Mika, played the ideal Indian bahu, viewers happily tuned in every weeknight.
On Sunday, the speculation will come to an end when Rakhi announces whom she will marry.
"It's likely that the show is a farce, because most of the shows that generate huge publicity are planned for that purpose. Maybe she will marry him for the show, with a pre-nuptial agreement and then annul the marriage...unless the chosen one is rich enough to stay with," said Jaya Kumar Mathur, a housewife.
There are others who did not share Jaya's cynicism and said Rakhi could actually be looking for true love.
According to Saniya Mehta, for instance, it is quite possible she will settle down with one of the final three contenders - Toronto-based Gujarati boy Elesh Parujanwala, young aspirant Manas Katyal and businessman Chhitiz Jain, both of whom stay in New Delhi.
"But unless the groom shifts to Mumbai, which is Rakhi's workplace, her life would not be smooth after the show. She should take her decision carefully," said Mehta who feels Parujanwala is the best suitor for the item girl.
Channel officials are equally clueless.
"It would be a big decision for Rakhi. There is new speculation every day about the climax of the show, but even we can't tell anything as of now. Ultimately what will happen on Sunday will be entirely Rakhi's call," Nikhil Madhok, vice president (marketing and communications) of NDTV Imagine said.
"If she says she wants to marry the same day, we are all set with the preparations. If not, it's for her to decide because it's her life," he added.
The preparations are grand. Whatever the decision, Rakhi will be dressed in a Neeta Lulla creation and wear jewellery designed by Farah Ali Khan, including a necklace worth Rs 3 million.
Of course, like any other grand Indian wedding, a multi-cuisine buffet dinner will be laid out. The menu, planned by Rakhi herself will include Gujarati, Punjabi and Maharashtrian delicacies.
The guest list will be equally impressive, including TV celebrities as well as Bollywood stars. Rumours are rife that Bollywood's ace director Karan Johar, who invited Rakhi on his chat show Koffee With Karan is expected to be one of the invitees.
The show, the first of its kind in India, has brought unprecedented TRP (television rating points) success for NDTV Imagine. The premiere of the one-hour show saw ratings soar to 3.5%. The channel is hoping that Sunday's episode will be even better.
In the original American show, The Bachelorette, the contestant in many cases didn't get married or the marriage didn't last too long, with the one exception. Trista Rehn marriedphysiotherapist Ryan Sutter in the maiden season of the show in 2003 and now has two children.
So will it be happily ever after for Rakhi too?
Subscribe to:
Posts (Atom)
Posts
